Critical distance definition sociology
As a rule of thumb, the critical distance is close to a speaker at low frequencies, where wavelengths are long in relation to driver size, and therefore dispersion is wide and able to bounce a lot of sound off of adjacent room boundaries.If there's a criticism of this racy, entertaining history of the Bond phenomenon, it's that the authors sometimes descend into the gushing prose of the fan magazine, where breathy enthusiasm often takes precedence over critical distance.Over 47 percent of all trips required no travel and the critical distance was between zero and one mile.A major problem with Indy Dreams and Urban Nightmares is lack of critical distance from a key concept - "community" - that is heavily employed by the anti-Indy forces and the author.We found that the critical distance between the co-feeding pair was approximately 1 cm.This means, of course, that the critical distance corresponding to the critical partitioning proportion must be shorter for [F.Self-awareness gives you the capacity to achieve a critical distance from stressors and makes you less likely to enter into a reactive mode.Drawing us through a narrative which begins with Independence and ends with Jefferson's misanthropic withdrawal (as an old and bankrupt Southern gentleman) to his hermitage at Poplar Forest, Kelsall provides a critical distance that allows us to see Jefferson as he could not stand to see himself-the very epitome of America's most unflattering contradictions, an icon of democracy who returned from France carrying hundreds of material objects that had been seized from members of the ancien regime, a president of "the people" who nevertheless found many of them "rubbish" and ruled over others as his lifelong chattel slaves.The same mechanism also creates enough incentives to keep a critical distance and to ignore each other as much as possible.The Church no longer stands at a critical distance from the society which it addresses.With mindless monotony, Israeli and American officials continue to chant this refrain like a blind chorus in a Greek tragedy, though lacking any critical distance or insight.Larsen thus frames her book about books with Helga's consideration of two non-American texts that supply critical distance not only from the racialist appropriations of Christianity that structure the rural Southern arenas in which her novel begins and ends, but also from the larger American literary-historiographic project in which her novel participates.
